By: Emily Michel

We have all seen the lists of no-no words. That, very, just, then, and dozens of others you are supposed to stay away from. But what about the ones particular to you, a quirk or ten you picked up over your many years of being human? And how do you even know you are overusing them if they aren't on someone's prefabricated list?

If you couldn't guess from the title, the answer is word clouds.

By: Rachel Hanley

When my first short story was accepted for publication, I knew to expect at least one round of revisions with the magazine’s editing team. No problem. I was even excited for my first professional editor letter. 

Then I got the letter. They made lots of small suggestions and even one larger suggestion that re-framed an entire scene. The team’s insight made complete sense to me, so I implemented everything without any complaints. Well, almost everything. Then there was the feedback for the ending. The editors wanted me to change the ending, and they had a specific idea of how the story should end… and I hated it. Their version just wasn’t a story I wanted to tell. If I made the change, I would no longer feel proud of publishing this work; it wouldn’t really feel like my work anymore.

By R. L. McIntyre

Creativity is a fickle thing. It appears at the most inopportune times when the ability to transfer it to the page is limited, which makes its absence when we’re ready to write even worse. Often, it might feel like trying to wrangle a cat. If you own a cat, you know they determine when they will hang out or not. It’s not something you can force. Somedays, you can convince the creativity cat to sit with you, and it’s great. Other days, you sit with a blank page ready to begin an adventure, and the cat leaves.

By: Lily Sayre

Reaching the end of your novel can feel impossible. Perhaps your inspiration has run out, your plot is wearing thin, and you’re lost in the messy middle of your manuscript. Or maybe you’ve sat down as I often have, with a brilliant idea that fizzles out the moment you try to put it on a blank page.

All authors can agree that regardless of where you are in the writing process or what your goal for your manuscript may be, finishing your novel is essential. Although it may seem like your story “just isn’t working,” the odds are that you can make it to your ending by applying these four techniques I’ve used to finish more than eight manuscripts in seven years:

By: C.S Gregg 

Like every geek worth their salt, I have lofty aspirations of becoming a prolific writer. Also, like many geeks, I have no friends. Specifically, my life is marked by a dearth of friends willing to pour through the tens, if not hundreds of thousands of words of that novel I’ve been talking about for so many years. So, finding a critique partner has been the missing ingredient to taking my craft to the next level. That’s right, I call writing “my craft.” Impressed? Well, CritiqueMatch has been an invaluable tool in helping me find the critique partners who have given me the confidence to speak with such hubris. And, like any tool, there’s a right way and a wrong way to use it. Here are a few tips that I think might help you to find and work with critique partners online.

By: Andrew Rydberg 

One of the most difficult parts about writing is getting started. You’ll get a million ideas, characters, scenes - you name it. But every time you sit down and are about to put it all on paper, your mind goes blank. Doubts start flooding in, you forget some of the key items you wanted to include, and every menial distraction becomes overbearing. Finally, you say, “forget this!” and walk away, thinking maybe next time will be better. It’s a common roadblock. But it’s not as hard to get around as you think.