CritiqueMatch

CritiqueMatch is a platform where writers and beta readers connect and exchange work for free! New: You can also buy a critique or beta-reading service from our top-rated users!

May 15, 2019

Sharpen Your Main Character by Using Books on Writing


By Max Vonne. 


Making sure that readers connect with your main character is a critical point of focus for your writing.  This is an especially tough challenge for new writers.  Thankfully, there are some great tools available to us.  

In my last article, I spoke about CritiqueMatch.com, which I’m just going to briefly mention here.  Getting your work in front of others and getting their feedback is key to understanding if your main character is resonating.  Other writers will not only tell you if they like the character but will also make suggestions on how to improve him/her.  I can’t imagine developing my characters without this process.

May 13, 2019

Developing Minor Characters 101: A Neville Longbottom Exposition


By Madison Bringhurst.

Though you could write an entire soliloquy about the amazing character arch Neville Longbottom has, his unfailing ability to try, or how he overcame a tragic beginning, the real genius of Neville Longbottom’s character is in JK Rowling’s ability to use him.
In the fourth book of the Harry Potter series, Harry Potter and the Goblet of Fire, Neville is shown clumsily falling into the trap of a trick stair after dinner one evening. The scene paints a vibrant image of the quirky nature of JK Rowling’s magical world and pairs it with a light-hearted laugh. Though this great moment in itself would make the scene worth having in the final draft, its implications for later in the book are what make Neville more than just a comic relief character. Later in the book, Harry finds himself trapped by the same stair. Rather than having Harry explain this during a heated moment, thus taking away from the urgency of the scene, Rowling shows the necessary details earlier using one of her favorite expositional devices: Neville Longbottom.

May 8, 2019

Character Stereotypes – How to break them

By Ela Mishne.

The Chosen One, Dumb Blonde, The Wise Old Man, Queen Bee. We’ve all seen these characters. The scientist is always crazy and looks like Albert Einstein. The bully loves being bad because—well, for no particular reason. The problem with these characters is that they make the story predictable and boring. So writers are encouraged to create fresh and unique characters.
But here’s the problem. Readers love familiar characters because they don’t have to get to know these new people. They feel safe. But safe is boring, and readers should never be bored.

Apr 15, 2019

The Critique That Crushed My Fears

By Alicia McLachlan.

Even though I’ve been writing (with varying degrees of commitment) for over fifteen years, I have only recently started to send my pieces out for feedback. For so long, the idea of sharing my writing terrified me; it felt egotistical to think my writing was good enough to put out into the world. On the flip side, I was also halted by the fear that I would find out that I was, in fact, a terrible writer; that I should give up. Because I enjoyed the act of writing in and of itself, I decided doing just that was enough for me.

Apr 10, 2019

My Critique Partner Journey


By Negeen Papehn, author of The Forbidden Love series.

I used to believe that writing was a solitary action, getting lost in the words I typed across a blank screen, just me and my characters in a world of my making. Three published books and four full manuscripts later, I’ve realized it’s anything but singular. Truthfully, it’s a group effort. The story may spill out through my fingertips, but it’s plotted, molded, and fine-tuned, by my amazing critique partners (CPs). There is seldom a page written that someone hasn’t read through and given me feedback on.

Apr 8, 2019

First-Time Critique Partner? Here Are 8 Critique Dos and Don’ts


By Rene Penn.

Is this your first time critiquing someone's work? No worries. You got this.

People with little or no critiquing experience may doubt they're up for the task. The truth is, you don't have to be an expert to critique someone's work.

Think about the last time you were blown away by the first few pages of a book. Or when you noticed that a movie dragged in spots. Or how you were disappointed by a book's ending. All of those times, you were critiquing, even if you didn't realize it.

As a critique partner, you'll learn to recognize moments that give you pause—like dialogue that needs to be trimmed or a character that falls flat.

Apr 5, 2019

Developing Character Empathy – A Darth Vader Example

By Margi Guilfoyle.

“Be Careful Not to Choke on Your Aspirations.” –Darth Vader
If you have not read Michael Hauge’s book, Writing Screenplays That Sell, it is worth your time to do so.  Angela Ackerman and Becca Puglisi recommend Writing Screenplays That Sell as a resource in their craft book, The Positive Trait Thesaurus. And, for good reason. Hauge’s character development advice is succinct, approachable and proven. All the quoted material in this blog (except for Darth Vader’s words, written by George Lucas), comes from Hauge’s book, Writing Screenplays That Sell.
Now, back to our friend Darth…